Rehearsal Notes

Performances/Screenings

IMG_0465Hi Framers!

I guarantee that you will be able to see these things translated to the stage if you stare at these diagrams hard enough.

We are in the midst of rehearsing for Framed in Five which will be May 1 and 2.  Tickets are already on sale, so get them now!  I thought I’d share a few sketches of what we’ve been working on.  I wonder if you can translate my crazy notation!  IMG_0469 IMG_0467 IMG_0466

Frame Composers: Where are they now?

Frame Dance and Composers Tuesday Tunes

D. Edward Davis 2014 Film Score WinnerDAVIS-karst-headshot

Since Shamed, currently in production with Frame Dance, Eddie has been busy with a number of creative projects. In July and August 2014, he studied composition with Wandelweiser founder Antoine Beuger in Düsseldorf, Germany (where he also attended concerts and looked for birds). His work has been recently performed by the Da Capo Chamber Players (for philip von zweck), Dalia Chin and Kate McDuffie (when we try to pick out anything by itself we find it hitched to everything else in the universe), and the Callithumpian Consort (curving tide). His current projects include new pieces for the Laramie County Community College New Music Ensemble (Cheyenne, Wyoming) and Musica Nova (Tel Aviv, Israel).

 

DAVIS-concert-image

In January 2015, Eddie co-founded the Experimental Music Study Group, which curates discussions and performances in the Durham/Chapel Hill-area. He is completing his dissertation work at Duke University, where he currently teaches a class about Sonic Ecology.

 

 

 

Announcing Framed in Five

Frame Dance and Composers Links We Like Performances/Screenings

Frame Dance - Truck Dances - Dance Source Houston 10th Anniversary - Photographer Lynn Lane-64Frame Dance casts a vision for the next five years with steel string guitars, percussion toys, and sophisticated dancing

 

Houston, TX—February 5, 2015. Framed in Five is a celebration of Frame Dance Productions and the vibrant “Framer” community they have grown over their first five years. The blanton_musiciansprogram will feature new dance and live music ranging from surprising and intricate percussion, to a curious and whimsical guitar duo, to an emotive string quartet that “depicts the wind and rainfall during a rain shower.”

Framed in Five runs May 1 & 2, 2015 in the Margaret Alkek Williams Dance Lab at The Houston Ballet Center for Dance. This vibrant program will feature winners from the Frame Dance Music Competition: composers Joel Love (Austin), Gabriel José Bolaños (California), and Robert Honstein (Boston). Baylor Percussion Ensemble, a steel string guitar duo, and string quartet will perform with Frame Dance in three new pieces.

 

photography by Jonathon Hance

Frame Dance’s newest programs: Little Framers Children’s Ensemble and the Multi-Generation Ensemble will join the cast for a special premiere, Lightscape. Lydia Hance has choreographed a dance that integrates the professional dance company, the children’s ensemble, and adults of different ages from around Houston revealing the depth of age, the vitality of youth, and the resonance of vulnerability.

Artistic Director Lydia Hance will reveal the vision for Frame Dance in the next five years with an exciting new video.

 

Margaret Alkek Williams Dance Lab

Houston Ballet Center for Dance

601 Preston St.

Houston TX 77002

May 1 at 7:30pm, May 2 at 2pm and 7:30pm

On street, lot, and garage parking

 

Cost: $11-22, family rates and group ticketing available

Framedance.org/boxoffice for tickets.  Tickets available starting Monday, February 9, 2015.

 

Join the Framer tribe and find out more: framedance.org

(above photos by Lynn Lane, Lydia Hance, and Jonathon Hance)

Get updates, pictures and videos on Facebook.

 

FRAMED_IN_FIVE_LOGO

 

About the Choreographer and Composers:
imgresDubbed Houston’s “queen of curious locations,” Lydia Hance is the Executive and Artistic Director of Frame Dance Productions. She has been named an Emerging Leader by Dance/USA and has been leading Frame Dance in performances from the Galveston pier onto the METRO light rail, into the backs of U Haul trucks, and into museums, stages, and warehouses throughout Texas for the past five years. A champion of new music composers, her work deepens interdisciplinary collaborations and investigates the placement of dance in our lives. She is the former Education Director of Hope Stone Inc., and has recently launched the children’s ensemble Little Framers. She is a choreographer, curator, filmmaker, educator, and dance writer originally from the California Bay Area. She holds degrees in Dance Performance and English Literature from SMU and trained at the Taylor School, Graham School, Tisch School of the Arts, Limon Institute and SMU.

 

 

Gabriel José Bolaños Chamorro is a Nicaraguan-American composer and guitarist. He is pursuing his PhD at UC Davis. He received a bachelor’s bolanos
degree from Columbia University in 2007 where he studied composition with Fabien Lévy and Sebastian Currier, and orchestration with Tristan Murail. He has also worked as a freelance musician in New Haven, CT, and was a professor of theory, analysis and guitar at the Casa de los 3mundos music academy in Granada, Nicaragua. His work draws upon a variety of interests including linguistics, spectralism and the physical properties of sound, psychoacoustics and geology.

 

Joel Love’s music has been performed by The Aura Contemporary Music Ensemble, The California State University Los Angeles Wind Ensemble, Da Camera of Houston’s Young Artists, The Boston New Music Initiative, the Ohio State University Wind Symphony, the Texas Joel-Love_webA&M University Symphonic Winds, the Lamar University A Capella Choir and Wind Ensemble, the University of Texas Wind Symphony, and exhibited at many art galleries throughout the United States. Joel’s first work for wind ensemble, Aurora Borealis, was recently selected for performance at the 2013 SCI National Conference. In a recent review of 2013 SXSW events, Capital Public Radio’s Nick Brunner commented that “The Peace of Wild Things” was a “gorgeous piece of music, wafting along into the ether.” He recently finished is doctorate from the University of Texas Austin.

 

Celebrated for his “roiling, insistent orchestral figuration” (New York Times) and “glittery, percussive pieces” (Toronto Globe and Mail), composer Robert Honstein is a composer of orchestral, chamber, and vocal music. Robert has received awards, grants and recognition from Carnegie Hall, Copland House, the New York Youth Symphony, ASCAP, SCI, the robert honsteinMinnesota Orchestra Composer Institute, the Albany Symphony Orchestra, the Young New Yorkers Chorus, the Lake George Music Festival, the Boston New Music Initiative, the Ithaca College Chamber Orchestra, and New Music USA. Robert co-founded Fast Forward Austin, an annual marathon new music festival in Austin, TX. Described as “the first ever classical music event in Austin to make its own beer koozies” (Austin American Statesmen), Fast Forward Austin features local and national, cutting-edge artists in a “welcomingly relaxed venue… [that] tapped into what is so great about the Austin vibe: a community of people who are artistically curious, non- doctrinaire, and unpretentious” (NewMusicBox).

Frame Composers: What are they up to now?

Frame Dance and Composers
METRODances
METRODances

Charles Halka, Winner of the Frame Dance Music Composition Competition 2012

“After the birth of my beautiful daughter at the end of the summer, I started a new job teaching composition and music theory at Stephen F. Austin State University.  Around that same time I was chosen as Musiqa‘s first “Composer+Intern”, a kind of composer-in-residence position through which I was commissioned to write three new works for their current season (the next one is at the CAMH on February 26!).  It was a joy to finally be able to bring to life Imaginary Spaces, which debuted as METRODances, with Frame Dance Productions.  The project had been in the works for quite some time, so it was really great to have it come alive and to get support from the Aaron Copland Fund for Music.  Most recently, my orchestra work Impact got its U.S. premiere by the Shepherd School Symphony Orchestra, and my opera collaboration with composer-librettist (and Houston native!) Impact got its world premiere by the Mexican National Symphony in the Palacio de Bellas Artes in Mexico City in May 2014. John Grimmett and I were selected by Fort Worth Opera for its prestigious Frontiers program and showcase.  Our opera, And Jill Came Tumbling After, will be workshopped and performed in Fort Worth in May.”

 

 

 

 

we want YOU to name our show

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Hi Framers!

We are crowdsourcing the title of our May concert and we want your input.  Vote here!  Today is the very last day to vote.

This will be our 5th Anniversary Concert and we are very excited to celebrate with you.  Let the good times roll.

photo by Charles Halka
photo by Charles Halka of METRODances