A Thought-Leader In Family & Children’s Dance Classes | Houston, TX
Frame Dance is a thought leader in dance education, inspiring the next generation of movers, makers, and world changers by offering dance classes for adults & children, multi-generational ensembles, professional performances, networking events, and film festivals. We are nestled between West U and the Museum District.
We believe in developing the whole dancer, teaching critical life skills such as creative thinking, leadership, collaboration, and resilience through our artful and playful dance curriculum at our studio and in partner schools.
Our adult modern dance classes are designed to offer you the joy and magic that’s possible when you create space in your life to move, to grow, and to share in the creative process with a like-hearted community.
For more than ten years, Frame Dance has brought radically inclusive and deeply personal contemporary dance to Houston. Led by Founder and Creative Director Lydia Hance, whom Dance Magazine calls “the city’s reigning guru of dance in public places,” the professional company is made up of six acclaimed co-creators committed to collaboration. Frame Dance has created over 50 unique site-specific performances and nine dances for the camera screened in festivals all over the United States and Europe. With an unrelenting drive to make dance in relationship to environment, Frame Dance has created dance works for and with METRO, Houston Museum of Natural Sciences, Houston Parks Board, Plant It Forward Farms, CORE Dance, Rice University, Houston Ballet, 14 Pews, Aurora Picture Show, and the Contemporary Arts Museum. Frame Dance’s productions were described by Arts + Culture Texas Editor-in-Chief Nancy Wozny as “some of the most compelling and entertaining work in Houston.” Creative Director Lydia Hance is a champion of living composers and is dedicated to work exclusively with new music.
Since Shamed, currently in production with Frame Dance, Eddie has been busy with a number of creative projects. In July and August 2014, he studied composition with Wandelweiser founder Antoine Beuger in Düsseldorf, Germany (where he also attended concerts and looked for birds). His work has been recently performed by the Da Capo Chamber Players (for philip von zweck), Dalia Chin and Kate McDuffie (when we try to pick out anything by itself we find it hitched to everything else in the universe), and the Callithumpian Consort (curving tide). His current projects include new pieces for the Laramie County Community College New Music Ensemble (Cheyenne, Wyoming) and Musica Nova (Tel Aviv, Israel).
In January 2015, Eddie co-founded the Experimental Music Study Group, which curates discussions and performances in the Durham/Chapel Hill-area. He is completing his dissertation work at Duke University, where he currently teaches a class about Sonic Ecology.
Charles Halka, Winner of the Frame Dance Music Composition Competition 2012
“After the birth of my beautiful daughter at the end of the summer, I started a new job teaching composition and music theory at Stephen F. Austin State University. Around that same time I was chosen as Musiqa‘s first “Composer+Intern”, a kind of composer-in-residence position through which I was commissioned to write three new works for their current season (the next one is at the CAMH on February 26!). It was a joy to finally be able to bring to life Imaginary Spaces, which debuted as METRODances, with Frame Dance Productions. The project had been in the works for quite some time, so it was really great to have it come alive and to get support from the Aaron Copland Fund for Music. Most recently, my orchestra work Impact got its U.S. premiere by the Shepherd School Symphony Orchestra, and my opera collaboration with composer-librettist (and Houston native!) Impact got its world premiere by the Mexican National Symphony in the Palacio de Bellas Artes in Mexico City in May 2014. John Grimmett and I were selected by Fort Worth Opera for its prestigious Frontiers program and showcase. Our opera, And Jill Came Tumbling After, will be workshopped and performed in Fort Worth in May.”
We are pleased to announce the winners of the 2015 Frame Dance Music Composition Competition! Their work will be presented by Frame Dance throughout 2015. Many thanks to all who submitted and our incredible panel.
First Place: Alex Freeman
for flute, clarinet, violin, cello, piano, and percussion
Alex Freeman (b. 28 April 1972) is a recipient of the 2014 McKnight Composer Fellowship. His music has garnered acclaim and commissions from the Jerome Foundation, ASCAP, The American Scandinavian Foundation, the Sibelius Academy, American Composers Forum and the American Academy of Arts and Letters. Born in Raleigh, NC, He holds degrees from the Eastman School of Music, Boston University’s School of Fine Arts, and the Juilliard School, where he completed his doctoral studies in 2004. His doctoral research led him to Finland, via Fulbright Fellowship, where he lived for six years, studying at The Sibelius Academy and freelancing, before he assumed his current position of Assistant Professor of Music in Composition at Carleton College in Northfield, MN. His chamber works and choral music are performed regularly in the US and abroad.
Recordings of his music have been released by Albany Records, Innova Recordings, and Navona Records, including, most recently, a CD of complete his piano works by Albany Records, Inner Voice, a recording of his chamber work, Blueshift, by Parma Recordings, and internationally acclaimed recordings of his choral works by The HOL Choir and Tapiola Children’s Choir. His degrees are from The Juilliard School, Boston University, and The Eastman School of Music.
Second Place: Gabriel José Bolaños Chamorro
For Steel String Guitar Duet
Gabriel José Bolaños Chamorro (b.1984 Bogotá, Colombia) is a Nicaraguan-American composer and guitarist. He is pursuing his PhD at UC Davis, and is currently studying with Mika Pelo.
He received a bachelor’s degree from Columbia University in 2007 where he studied composition with Fabien Lévy and Sebastian Currier, and orchestration with Tristan Murail. He has also worked as a freelance musician in New Haven, CT, and was a professor of theory, analysis and guitar at the Casa de los 3mundos music academy in Granada, Nicaragua. His work draws upon a variety of interests including linguistics, spectralism and the physical properties of sound, psychoacoustics and geology.
Third Place: Joel Love
for string quartet
The music of Joel Love explores an eclectic mix of genres, from short video pieces to works for chamber and large ensembles. It creates colorful landscapes of sound through the use of image, melody, and extended tonality, and seeks to reveal the connection between music and spirituality.
Joel was recently commissioned to compose a new work, Lightscape, for the opening of light artist James Turrell’s The Color Inside, which was unveiled in October of 2013. Molly Glentzer from the Houston Chronicle wrote that “the music evocatively captures the emotion of The Color Inside.” PARMA Recordings selected Lux andSynchronicity in Purple Minor for publication in their 2013 and 2012 Anthology, respectively. In May of 2013, Aurora Borealiswas selected as a finalist in the 3rd International Franck Ticheli Composition Contest. In 2010, Real Fiction received a Compositional Excellence Citation by the New York Youth Symphony. In 2009, Da Camera of Houston presented Joel with an Aspiring Artist Award and the commission of Just One Person.
His film scores include the documentary film Stitched, official selection at the 2011 Carmel Art and Film Festival, as well as a short film Kidfellas, “Best Musical Score” at Houston’s 2011 48-Hour Film Project. Other notable collaborations with artists from other disciplines feature a city-wide public art exhibit with artist Karyn Olivier, Inboud: Houston, anda 3-month installation by Prince V. Thomas, On Joy, On Sorrow at the Houston Center for Photography, praised by the Houston Chronicle as ”a beautiful piece that feels cleansing to watch.”
Joel recently completed a DMA in Composition from the University of Texas at Austin and holds degrees from The University of Houston’s Moores School of Music (M.Music) and Lamar University’s Mary Morgan Department of Music (B.Music).
Film Score Winner: Leah Reid
Ring, Resonate, Resound
7 channel acousmatic composition
Leah Reid (b. 1985, New Hampshire) writes vibrant compositions that examine the innermost nature of sounds. Reid’s work is noted for its exploration of time, timbre and texture. Reid holds a D.M.A. and M.A. in composition from Stanford University and a B.Mus in composition from McGill University. She was awarded the Pauline Oliveros Prize for her piece “Pressure” for viola and electroacoustic media. Reid has had works performed in the United States, Canada and Europe with premieres by Livia Sohn, Geoff Nuttall, the Jack Quartet, Sound Gear, Talea, Seth Josel, the Pheonix String Quartet and McGill’s Contemporary Music Ensemble. Reid’s principal teachers include Mark Applebaum, Jonathan Berger, Brian Ferneyhough, and Sean Ferguson.
Reid currently teaches at the University of the Pacific and continues her research on the compositional applications of multidimensional timbre representations.