Tuesday Tunes: Dick Van Dyke

Tuesday Tunes

Tuesday Tunes 

          Dick Van Dyke!

 

 

I never wanted to be an actor and to this day I don’t. I can’t get a handle on it. An actor wants to become someone else. I am a song-and-dance man and I enjoy being myself, which is all I can do.

 

 

Van Dyke was born in West Plains, Missouri, to Loren (nickname “Cookie”) and Hazel (née McCord) Van Dyke, but he grew up in Danville, Illinois. He is the older brother of actor Jerry Van Dyke, who is best known for a role on the TV series Coach. Dick’s grandson, Shane Van Dyke, is also an actor and directed Titanic II. Dick is of Dutch descent on his father’s side; his mother was a descendant of Mayflower passenger Peter Browne from England.

Among his high school classmates in Danville where Donald O’Connor and Bobby Short, who both would go on to successful careers as entertainers themselves. Van Dyke’s mother’s family was very religious, and for a brief period in his youth he considered a career in ministry, although a drama class in high school convinced him that his true calling was as a professional entertainer. In his autobiography he wrote, “I suppose that I never completely gave up my childhood idea of being a minister. Only the medium and the message changed. I have still endeavored to touch people’s souls, to raise their spirits and put smiles on their faces”. Even after the launch of his career as an entertainer, he taught Sunday school in the Presbyterian Church, where he was an elder, and he continued to read theologians such as Buber, Tillich, and Bonhoeffer, whom he has said helped explain in practical terms the relevance of religion in everyday life.

During World War II, Van Dyke enlisted in the United States Army Air Corps where he became a radio announcer, later transferring to the Special Services entertaining troops in the Continental United States.

During the late 1940s, Van Dyke was a radio DJ in Danville, Illinois. In 1947, Van Dyke was persuaded by Phil Erickson to form a comedy duo with him called “Eric and Van—the Merry Mutes.” The team toured the West Coast nightclub circuit, performing a mime act and lip synching to old 78 records. They brought their act to Atlanta, Georgia, in the early 1950s and performed a local television show featuring original skits and music called “The Merry Mutes”.
In November 1959, Van Dyke made his Broadway debut in The Girls Against the Boys. He then played the lead role of Albert Peterson in Bye Bye Birdie, which ran from April 14, 1960 to Oct 7, 1961. In a May 2011 interview with Rachael Ray, Van Dyke noted that when he auditioned for a smaller part in the show he had no dance experience, and that after he sang his audition song he did an impromptu soft-shoe out of sheer nervousness. Gower Champion, the show’s director and choreographer, was watching, and promptly went up on stage to inform Van Dyke he had the lead. An astonished Van Dyke protested that he could not dance, to which Champion replied “We’ll teach you”. That musical won four Tony awards including Van Dyke’s Best Featured Actor Tony, in 1961. In 1980, Van Dyke appeared as the title role in The Music Man on Broadway.

Dick Van Dyke’s start in television was with WDSU-TV New Orleans Channel 6 (NBC), first as a single comedian and later as emcee of a comedy program. Van Dyke’s first network TV appearance was with Dennis James on James’ Chance of a Lifetime in 1954. He later appeared in two episodes of The Phil Silvers Show during its 1957–1958 season. He also appeared early in his career on ABC’s The Pat Boone Chevy Showroom and NBC’s The Polly Bergen Show. During this time a friend from the Army was working as an executive for CBS television and recommended Van Dyke to that network. Out of this came a seven-year contract with the network. During an interview on NPR’s Wait Wait… Don’t Tell Me! program, Van Dyke said he was the anchorman for the CBS morning show during this period with Walter Cronkite as his newsman.

From 1961 to 1966, Van Dyke starred in the CBS sitcom The Dick Van Dyke Show, in which he portrayed a comedy writer named Rob Petrie. Originally the show was supposed to have Carl Reiner as the lead but CBS insisted on recasting and Reiner chose Van Dyke to replace him in the role. Van Dyke won three Emmy Awards as Outstanding Lead Actor in a Comedy Series, and the series received four Emmy Awards as Outstanding Comedy Series.

From 1971 to 1974, Van Dyke starred in an unrelated sitcom called The New Dick Van Dyke Show in which he starred as a local television talk show host. He received a Golden Globe nomination for his performance but the show was less successful than its predecessor, and Van Dyke pulled the plug on the show after just three seasons.

In 1973, Van Dyke voiced his animated likeness for the October 27, 1973 installment of Hanna-Barbera’s The New Scooby-Doo Movies, “Scooby-Doo Meets Dick Van Dyke,” the series’ final first-run episode. The following year, he received an Emmy Award nomination for his role as an alcoholic businessman in the television movie The Morning After (1974). Van Dyke revealed after its release that he had recently overcome a real-life drinking problem. He admits he was an alcoholic for 25 years.  After a few guest appearances on the long-running comedy-variety series The Carol Burnett Show, Van Dyke became a regular on the show, in the fall of 1977. However, he only appeared in half of the episodes of the final season. For the next decade he appeared mostly in TV movies. One atypical role was as a murdering judge on the second episode of the TV series Matlock in 1986 starring Andy Griffith. In 1989, he guest-starred on the NBC comedy series The Golden Girls portraying a lover of Beatrice Arthur’s character. This role earned him his first Emmy Award nomination since 1977.

His film work affected his TV career: the reviews he received for his role as D.A. Fletcher in Dick Tracy led him to star first as the character Dr. Mark Sloan in an episode of Jake and the Fatman, then in a series of TV movies on CBS that became the foundation for his popular television drama Diagnosis: Murder. Van Dyke continued to find television work after the show ended, including a dramatically and critically successful performance of The Gin Game, produced for television in 2003 that reunited him with Mary Tyler Moore. In 2003, he portrayed a doctor on Scrubs. A 2004 special of The Dick Van Dyke Show titled The Dick Van Dyke Show Revisited was heavily promoted as the first new episode of the classic series to be shown in 38 years. Van Dyke and his surviving cast members recreated their roles; the program was roundly panned by critics. In 2006 he guest-starred as college professor Dr. Jonathan Maxwell for a series of Murder 101 mystery films on the Hallmark Channel.

Van Dyke began his film career by playing the role of Albert J. Peterson in the film version of Bye Bye Birdie (1963). Despite his unhappiness with the adaptation—its focus differed from the stage version in that the story now centered on a previously supporting character—the film was a success. That same year, Van Dyke was cast in two roles: as the chimney sweep Bert, and as bank chairman Mr. Dawes Senior, in Walt Disney’s Mary Poppins (1964). For his scenes as the chairman, he was heavily costumed to look much older, and was credited in that role as “Nackvid Keyd” (at the end of the credits, the letters unscramble into “Dick Van Dyke”). Van Dyke’s attempt at a cockney accent has been decried as one of the worst accents in film history, cited by actors since as an example of how not to sound.

In a 2003 poll by Empire magazine of the worst-ever accents in film, he came in second. According to Van Dyke, his accent coach was Irish, who “didn’t do an accent any better than I did.” Still, Mary Poppins was successful upon release and its enduring appeal has made it one of the most famous films of all time. “Chim Chim Cher-ee”, one of the songs that Van Dyke performed in Mary Poppins, won the Academy Award for Best Original Song for the Sherman Brothers, the film’s songwriting duo.

Many of the comedy films Van Dyke starred in throughout the 1960s were relatively unsuccessful at the box office, including What a Way to Go!, Lt. Robin Crusoe, U.S.N., Fitzwilly, The Art of Love, Some Kind of a Nut, Never a Dull Moment, and Divorce American Style. But he also starred (with his native accent, despite the English setting) as Caractacus Pott in the successful musical Chitty Chitty Bang Bang (1968), which co-starred Sally Ann Howes and featured the same songwriters (The Sherman Brothers) and choreographers (Marc Breaux and Dee Dee Wood) as Mary Poppins.

In 1969, Van Dyke appeared in the comedy-drama The Comic, written and directed by Carl Reiner. Van Dyke portrayed a self-destructive silent-film era comedian who struggles with alcoholism, depression, and his own rampant ego. Reiner wrote the film especially for Van Dyke, who often spoke of his admiration for silent-film era comedians such as Charlie Chaplin and his hero Stan Laurel. Twenty-one years later in 1990, Van Dyke, whose usual role had been the amiable hero, took a small but villainous turn as the crooked D.A. Fletcher in Warren Beatty’s film Dick Tracy. Van Dyke returned to motion pictures in 2006 with Curious George as Mr. Bloomsberry and as villain Cecil Fredericks in the Ben Stiller film Night at the Museum. He reprised the role in a cameo for the sequel, Night at the Museum: Battle of the Smithsonian but it was cut from the film. It can be found in the special features on the DVD release.

 

The Penguin Dance

 

Me ol’ Bamboo (Chitty Chitty Bang Bang)

 

Step in Time

 

 

Fun Facts about Mr. Dick Van Dyke

 

Often hosted game shows when he was a struggling actor. He hosted Mother’s Day (1958) and Laugh Line (1959) but turned down The Price Is Right (1956).

Older brother of entertainer Jerry Van Dyke.

According to his book “Those Funny Kids: A Treasury of Classroom Laughter”, by age 11 he had grown to 6′ 1″.

Is ambidextrous.

He enlisted to be a pilot in the Army Air Corps during World War II, but initially did not make the cut because he did not meet the weight requirement, as he was underweight. He tried three times to enlist, before barely making the cut. He actually served as a radio announcer during the war, and he did not leave the United States.

Beat out Johnny Carson for the role of Rob Petrie on what later became The Dick Van Dyke Show (1961) .

Won Broadway’s 1961 Tony Award as Best Supporting or Featured Actor (Musical) for “Bye, Bye Birdie” and a Grammy Award for the Mary Poppins (1964) soundtrack.

His comic inspiration was Stan Laurel. He says he was able to find him by looking up his name in the phone book in Santa Monica, California, where Laurel lived. He called and Laurel invited him over. The two became good friends. When Laurel died, Van Dyke delivered his eulogy at the funeral.

Says that his most memorable role is that of Bert the chimney-sweep in Mary Poppins (1964).

Overcame alcoholism in the 1970s.

In Britain, his attempt at a Cockney accent in Mary Poppins (1964) is so notorious that a “Dick Van Dyke accent” is an accepted slang term for an American’s unsuccessful attempt at a British accent. Despite that, he is quite popular in Britain.

Rob Petrie, Van Dyke’s role on The Dick Van Dyke Show (1961), was ranked #22 in TV Guide’s list of the “50 Greatest TV Dads of All Time” [20 June 2004 issue].

In his 30s and 40s, he had a talent for playing crotchety, eccentric old men. He played this kind of role in Mary Poppins (1964) as Mr. Dawes Sr. and in a The Dick Van Dyke Show (1961) episode where he played one of Rob Petrie’s elderly relatives.

Had played Lionel Jeffries’s son in Chitty Chitty Bang Bang (1968) even though Jeffries is actually six months his junior.

Was a heavy smoker for fifty years, smoking three packs of cigarettes a day for a time. He finally managed to quit using gum and patches.

Best known by the public for his starring roles as Rob Petrie on The Dick Van Dyke Show (1961) and as Dr. Mark Sloan on Diagnosis Murder (1993).

In 1968, he left Hollywood and bought a ranch in Arizona.

Did not appear in his first movie until he was 36.

Buster Keaton and Stan Laurel were two of his comedy idols. Both became fans of Dick’s classic TV series.

Received a lemon cake every Christmas from Charles Bronson, who lived nearby in Malibu, for 16 years.

Created most of his own comedy routines and physical schticks on The Dick Van Dyke Show (1961).

Helped his ex-The Dick Van Dyke Show (1961) co-star, Mary Tyler Moore get her own sitcom, in the 1970s.

Prior to being an actor, he was also a Sunday School teacher and an elder at a Presbyterian church, who ministered every Sunday.

Was longtime friends with Buddy Ebsen. Van Dyke hosted Ebsen’s memorial service on August 30, 2003.

Between Angela Lansbury, Norman Lloyd, Mickey Rooney, Ernest Borgnine, Betty White and Larry Hagman, Van Dyke is one of the stars never to retire from acting.

Tuesday Tunes

Tuesday Tunes

Tuesday Tunes

               Happy Tuesday Framers!

             I hope all of you stay warm today!   

              Bebe Neuwirth!

 

 

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In a really well-written musical, you talk until you just can’t talk anymore, you’re going to have to sing. And when you’re just so full you can’t sing anymore, then you have to dance. It’s a natural progression.

 

Beatrice “Bebe” Neuwirth was born in Princeton, New Jersey, the daughter of Sydney Anne, a painter, and Lee Paul Neuwirth, a mathematician. She has an older brother Peter, an actuary. Neuwirth is Jewish, and attended Chapin School in New Jersey as well as Princeton Day School (New Jersey) of Princeton, but graduated from Princeton High School (a public school) in 1976. She began to study ballet at the age of five, and chose it as her field of concentration when she attended Juilliard in New York City in 1976 and 1977, during which time she performed with the Princeton Ballet Company in Peter and the Wolf, The Nutcracker, and Coppélia, also appearing in community theater musicals. Neuwirth always dreamed of becoming a ballet dancer; the only other career she reportedly seriously contemplated was being a veterinarian.

Neuwirth made her Broadway debut in the role of Sheila in A Chorus Line in 1980. She later appeared in revivals of Little Me (1982) Sweet Charity (1986), for which she won the Tony Award for Best Featured Actress in a Musical, and Damn Yankees (1994). 1996 saw her play Velma Kelly in the Broadway revival of Chicago. That role brought her her greatest stage recognition to date, and several awards including the Tony Award, Drama Desk Award and Outer Critics Circle Award for Best Leading Actress in a Musical. Neuwirth would later return to the still-running revival of Chicago in 2006, this time as Roxie Hart.

She appeared in a musical revue Here Lies Jenny, that featured songs by Kurt Weill, sung and danced by Neuwirth and a four-person supporting cast, as part of an unspoken ambiguous story in an anonymous seedy bar possibly in Berlin in the 1930s. The show ran from May 7 through October 3, 2004, in the Zipper Theater in New York City. Here Lies Jenny was also presented by Neuwirth in San Francisco in 2005. In 2009, Neuwirth toured a one-woman cabaret show with pianist Scott Cady. The cabaret included music by Kurt Weill, Stephen Sondheim, Tom Waits, John Lennon, Paul McCartney, John Kander and Fred Ebb amongst others. In 2010, she returned to Broadway to create the role of Morticia Addams in the original production of The Addams Family opposite Nathan Lane.

Her screen credits include Green Card, Bugsy, Say Anything…, Jumanji, All Dogs Go to Heaven 2, Extreme Goofy Movie, Liberty Heights, Tadpole (for which the Seattle Film Critics named her Best Supporting Actress), How to Lose a Guy in 10 Days, La Divorce, Malice, The Big Bounce, The Faculty, Fame and Woody Allen’s Celebrity.

On television, from 1986 to 1993 Neuwirth played Dr. Lilith Sternin, who married Dr. Frasier Crane in the hit comedy series Cheers. From the fourth to the seventh season, Neuwirth portrayed Lilith in a regular recurring role, and she appeared on the show as a main star from season eight to the final season, season eleven. Like Kelsey Grammer when he started on the show as Frasier Crane, she was not immediately given star billing in the opening credits, but at the end for seasons eight and nine; she appeared in the opening credits with her own portrait in seasons ten and eleven. She auditioned for this role with her arm in a sling, following a fall a week earlier. She won two Emmy Awards for the role, in 1990 and 1991. The character also made an appearance in the series Wings and in 12 episodes of the Cheers spin-off Frasier, which earned her a 1995 Emmy Award nomination as Outstanding Guest Actress in a Comedy Series.

Other small-screen credits include a guest appearance in the first season of NewsRadio, a small role on The Adventures of Pete and Pete (episode: “The Call”), Deadline (2000), Hack (2003), Law & Order: Trial by Jury (2005), Law & Order: Special Victims Unit (1999 as a modeling agent/suspect; 2005 as A.D.A Tracey Kibre), and the miniseries Wild Palms and the fourth season Star Trek: The Next Generation episode, First Contact, as Lanel. She appeared as herself in episodes of Will and Grace, Strangers with Candy and Celebrity Jeopardy!. In 2009, she co-starred as Ms. Kraft in the remake of Fame. She recently had a recurring role as Caroline, the literary editor of Jonathan Ames, on the HBO series Bored to Death. She’s also appeared in shows like Blue Bloods, The Good Wife, and Sabrina the Teenage Witch as well as provided voice overs for various cartoons.

 

 

All That Jazz and Hot Honey Rag

 

I’m A Brass Band

 

Nowadays

 

 

 

Fun Facts about Miss Bebe Neuwirth

 

As of mid-January 2014, Bebe Neuwirth will have played all three of the principle female roles in the long-running Broadway Revival of Chicago. She was in the revival’s original cast as Velma Kelly, and won the 1997 Tony Award for Best Actress in a Musical. In 2007, Neuwirth did a stint as Roxie Hart, and in 2014, she returned to the show again, this time playing Warden “Mama” Morton.

Her husband, Chris Calkins is is the founder of Destino vineyards in Napa Valley.

After Cheers (1982) went off the air, she got a lot of offers from TV and film essentially asking her to pretty much play the same character. She was offered a regular role as Lilith on the Cheers (1982) spin-off, Frasier (1993) but she turned it down so she could go back to Broadway. She did guests spots on the show instead.

She raises money to help stray cats and dogs.

She had hip replacement surgery in 2006.

She has played the same character (Dr. Lilith Sternin) in three different series: Cheers(1982), Wings (1990) and Frasier (1993).

Has won two Tony Awards: in 1986 as Best Actress (Featured Role – Musical) for playing Nicki in a revival of “Sweet Charity;” and in 1997 as Best Actress (Musical) for playing Velma Kelly in a revival of “Chicago.”

Tuesday Tunes

Tuesday Tunes

Tuesday Tunes

 

          Hello, Hello!

  This Tuesday we are spotlighting… 

 

              Mikhail Baryshnikov! 

 

No one is born a dancer.You have to want it more than anything.

Baryshnikov was born in Riga, Latvia, then occupied and annexed by the Soviet Union. His parents were Russian, Alexandra (a dressmaker; maiden name, Kisselova) and Nicholai Baryshnikov (an engineer). Baryshnikov began his ballet studies in Riga in 1960. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Baryshnikov soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Kirov Ballet and Mariinsky Theater in 1967, dancing the “Peasant” pas de deux in Giselle.

Recognizing Baryshnikov’s talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Baryshnikov made signature roles of Jakobson’s 1969 Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes “the most perfect dancer I have ever seen.”

On June 29, 1974, while on tour in Canada with the Kirov Ballet, Baryshnikov defected, requesting political asylum in Toronto, and joined the Royal Winnipeg Ballet. He also announced to the dance world he would not go back to the U.S.S.R. He later stated that Christina Berlin, an American friend of his, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States.

From 1974 to 1978, he was principal dancer with the American Ballet Theatre (ABT), where he partnered with Gelsey Kirkland. He also worked with the New York City Ballet, with George Balanchine and as a regular guest artist with the Royal Ballet. He also toured with ballet and modern dance companies around the world for fifteen months. Several roles were created for him, including roles Opus 19: The Dreamer (1979), by Jerome Robbins, Rhapsody (1980), by Frederick Ashton, and Other Dances with Natalia Makarova by Jerome Robbins.

He returned to ABT in 1980 as dancer and artistic director, a position he held for a decade. On July 3, 1986, he became a naturalized citizen of the United States. From 1990 to 2002, Baryshnikov was artistic director of the White Oak Dance Project, a touring company he co-founded with Mark Morris. In 2003, he won the Prix Benois de la Danse for lifetime achievement. In 2005 he launched the Baryshnikov Arts Center in New York.

Baryshnikov made his American television dancing debut in 1976, on the PBS program In Performance Live from Wolf Trap. During the Christmas season of 1977, CBS brought his highly acclaimed American Ballet Theatre production of Tchaikovsky’s classic ballet The Nutcracker to television, and it has remained to this day the most popular and most often shown television production of the work, at least in the U.S. In addition to Baryshnikov in the title role, Gelsey Kirkland, Alexander Minz, and many members of the American Ballet Theatre also starred. The production is still shown by some PBS stations.  The Baryshnikov version of The Nutcracker is one of only two to be nominated for an Emmy Award. The other one was Mark Morris’ The Hard Nut, Morris’s intentionally exaggerated and satirical version of the ballet.

Baryshnikov also performed in two Emmy-winning television specials, one on ABC and one on CBS, in which he danced to music from Broadway and Hollywood, respectively. During the 1970’s and 1980’s, he appeared many times with American Ballet Theatre on Live from Lincoln Center and Great Performances. Over the years, he has also appeared on several telecasts of the Kennedy Center Honors.

Baryshnikov performed in his first film role soon after arriving in New York. He portrayed the character Yuri Kopeikine, a famous Russian womanizing ballet dancer, in the 1977 film The Turning Point, for which he received an Oscar nomination. He co-starred with Gregory Hines and Isabella Rossellini in the 1985 film White Nights, choreographed by Twyla Tharp; and he was featured in the 1987 film Dancers. On television, in the last season of Sex and the City, he played a Russian artist, Aleksandr Petrovsky, who woos Carrie Bradshaw relentlessly and takes her to Paris. He co-starred in Company Business (1991) with Gene Hackman.

On November 2, 2006, Baryshnikov and chef Alice Waters were featured on an episode of the Sundance Channel’s original series Iconoclasts. The two have a long friendship. They discussed their lifestyles, sources of inspiration, and social projects that make them unique. During the program, Alice Waters visited Baryshnikov’s Arts Center in New York City. The Hell’s Kitchen Dance tour brought him to Berkeley to visit Alice Waters’ restaurant Chez Panisse.

On July 17, 2007, the PBS News Hour with Jim Lehrer featured a profile of Baryshnikov and his Arts Center.

On April 11–21, 2012, Baryshnikov starred in a new play directed by Dmitry Krymov, titled In Paris. The play was presented in the Santa Monica College Performing Arts Center, at the Broad Stage. His co-star was Anna Sinyakina.

His next role was the stage adaptation of Anton Chekhov’s Man in a Case.

 

Duo Dance from White Nights with Gregory Hines

 

 

Albrechts’ variation from Act II of Giselle in 1977.

 

 

Mikhail Baryshnikov in White Nights, dancing “Koni” (Horses) by Vysotsky (KGB spy and killer).

 

 

Fun Facts about Mr. Mikhail Baryshnikov

 

Danced with the Kirov Ballet, the American Ballet Theatre and the New York City Ballet.

Was artistic director with ABT and even ran his own class outside of ABT – Mikhail Baryshnikov’s School of Classic Ballet.

Was romantically involved with legendary ballerinas Natalia Makarova and Gelsey Kirkland.

Frequently attended legendary New York disco Studio 54.

Was nominated for Broadway’s 1989 Tony Award as Best Actor (Play) for “Metamorphosis.”

Owner of ballet troupe, “White Oak Dance Project”.

Taught by ballet instructor Bella Kovarsky when he was a child.

Mikhail was a 2000 recipient of the John F. Kennedy Center Honors.

Tuesday Tunes!

Tuesday Tunes

Tuesday Tunes

 

                Happy Tuesday Framers!

 

        This Tuesday we are highlighting…..

             Ginger Rogers!

 

When you’re happy, you don’t count the years

 

Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. Her mother, known as Lelee, went to Independence to have Ginger away from her husband. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. She was kidnapped by her father several times until her mother took him to court. Ginger’s mother left her child in the care of her parents while she went in search of a job as a scriptwriter in Hollywood and later to New York City. Mrs. McMath found herself with an income good enough to where she could send for Ginger. Lelee became a Marine in 1918 and was in the publicity department and Ginger went back to her grandparents in Missiouri. During this time her mother met John Rogers. After leaving the Marines they married in May, 1920 in Liberty, Missouri. He was transferred to Dallas and Ginger (who treated him as a father) went too.

Ginger won a Charleston contest in 1925 (age 14) and a 4 week contract on the Interstate circuit. She also appeared in vaudeville acts which she did until she was 17 with her mother by her side to guide her. Now she had discovered true acting. She married in March, 1929, and after several months realized she had made a mistake. She acquired an agent and she did several short films. She went to New York where she appeared in the Broadway production of “Top Speed” which debuted Christmas Day, 1929.

Her first film was in 1929 in A Night in a Dormitory (1930). It was a bit part, but it was a start. Later that year, Ginger appeared, briefly in two more films, A Day of a Man of Affairs (1929) and Campus Sweethearts (1930). For awhile she did both movies and theatre. The following year she began to get better parts in films such as Office Blues (1930) and The Tip-Off (1931). But the movie that enamored her to the public was Gold Diggers of 1933 (1933). She did not have top billing but her beauty and voice was enough to have the public want more. She suggested using a monocle and this also set her apart. One song she popularized in the film was the now famous, “We’re in the Money”. In 1934, she starred with Dick Powell in Twenty Million Sweethearts (1934).

It was a well received film about the popularity of radio. Ginger’s real stardom occurred when she was teamed with Fred Astaire where they were one of the best cinematic couples ever to hit the silver screen. This is where she achieved real stardom. They were first paired in 1933’s Flying Down to Rio (1933) and later in 1935’s Roberta (1935) and Top Hat (1935). Ginger also appeared in some very good comedies such as Bachelor Mother (1939) and 5th Ave Girl (1939) both in 1939. Also that year she appeared with Astaire in The Story of Vernon and Irene Castle (1939). The film made money but was not anywhere successful as they had hoped. After that studio executives at RKO wanted Ginger to strike out on her own. She starred in her final film with Fred Astaire in 1949 in The Barkelys of Broadway  replacing Judy Garland after Garland was suspended from MGM due to her tardiness.

She made several dramatic pictures but it was 1940’s Kitty Foyle (1940) that allowed her to shine. Playing a young lady from the wrong side of the tracks, she played the lead role well, so well in fact, that she won an Academy Award for her portrayal. Ginger followed that project with the delightful comedy, Tom Dick and Harry (1941) the following year. It’s a story where she has to choose which of three men she wants to marry. Through the rest of the 1940s and early 1950s she continued to make movies but not near the caliber before World War II. After Oh, Men! Oh, Women! (1957) in 1957, Ginger didn’t appear on the silver screen for seven years. By 1965, she had appeared for the last time in Harlow (1965). Afterward, she appeared on Broadway and other stage plays traveling in Europe, the U.S. and Canada. After 1984, she retired and wrote an autobiography in 1991 entitled, “Ginger, My Story” which is a very good book. On April 25, 1995, Ginger died of natural causes in Rancho Mirage, California. She was 83.

 

 

Fred and Ginger- Too Hot to Handle 

 

Ginger Rogers and Lucy Do The Charleston

 

Fred and Ginger- Bouncing the Blues from The Barkelys of Broadway

 

 

Facts about Miss Ginger Rogers

 

Was given the name “Ginger” by her little cousin who couldn’t pronounce “Virginia” correctly.

Sort-of cousin of Rita Hayworth. Ginger’s aunt married Rita’s uncle.

She didn’t drink: she had her very own ice cream soda fountain.

Was Hollywood’s highest paid star of 1942.

Her first teaming with Fred Astaire, Flying Down to Rio (1933), was her 20th film appearance but only Astaire’s second.

A distant cousin of Lucille Ball, according to Lucie Arnaz.

She and Fred Astaire acted in 10 movies together: The Barkleys of Broadway (1949), Carefree (1938), Flying Down to Rio (1933), Follow the Fleet (1936), The Gay Divorcee (1934), Roberta (1935), Shall We Dance (1937), The Story of Vernon and Irene Castle (1939), Swing Time (1936) and Top Hat (1935)

Rogers holds the record for actresses at New York’s prestigious Radio City Music Hall with 23 films for a total of 55 weeks.

One of the celebrities whose picture Anne Frank placed on the wall of her bedroom in the “Secret Annex” while in hiding during the Nazi occupation of Amsterdam, Holland.

Interred at Oakwood Memorial Park, Chatsworth, California, USA, the same cemetery as long-time dancing/acting partner Fred Astaire is located.

 

 

Tuesday Tunes

Tuesday Tunes

Tuesday Tunes

Liza Minnelli

 

My mother gave me my drive but my father gave me my dreams

 

Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at fourteen months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina “Tina Nina” Minnelli.

At sixteen, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play “Best Foot Forward” which ran for seven months in 1963. A year later, Judy invited Liza to appear with her for a show at the London Paladium. This show sold out immediately and a second night was added to it. Liza’s performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Paladium that Liza met her first husband, Peter Allen, a friend of Judy’s.

Liza won a Tony award at age nineteen and was nominated for her first Academy Award at age twenty-three for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret (1972). The seventies were a busy time for Liza. She worked steadily in film, stage and music. She and good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater followed. Each marriage ended in divorce.

Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums which she continues to add to. She teamed with Frank Sinatra in his “Duets” CD and Sammy Davis Jr. joined them for a series of concerts and TV shows which were extremely well-received.

She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.

 

Liza Minnelli on the Judy Garland Show

 

Baryshnikov and Minnelli

 

Stepping Out

 

 

Facts about Miss Liza Minnelli

 

Her parents named her after Ira Gershwin’s song “Liza (All the Clouds’ll Roll Away)”

Says her mother gave her a sense of humor

1990: She received the Grammy Legend Award, making her one of the few artists who have won entertainment’s top four awards – the Oscar, the Tony, The Emmy and the Grammy.

Was briefly managed by KISS lead singer/guitarist Gene Simmons in the 1980s.

When she was young she befriended Marilyn Monroe.

Her mother, Judy Garland, and former father-in-law, Jack Haley, starred together in The Wizard of Oz (1939).

She and her mother, Judy Garland, were the first Oscar-nominated mother and daughter.

Godparents were Ira Gershwin and Kay Thompson.

Because Liza constantly traveled with her mother, she spent most of her childhood in hotels. She was the inspiration for the character of “Eloise”, who grew up in the Plaza Hotel. The books were written by Liza’s godmother, Kay Thompson.

While Frank Sinatra’s version of “New York, New York” is played at Yankee Stadium after every Yankee home win, Liza Minnelli’s version is played after every Yankee home loss.

Her favorite modern-day singers are Adele, Michael Bublé, Pink and ‘Lady GaGa’.

 

Tuesday Tunes!

Tuesday Tunes

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              HAPPY NEW YEAR!

               

Today for Tuesday Tunes we are featuring the works of…

        Donald O’Conner

 

I was born and raised to entertain other people. I’ve heard laughter and applause and known a lot of sorrow. Everything about me is based on show business – I think it will bring me happiness. I hope so.

 

 

Though he considered Danville, Illinois to be his home town, O’Connor was born in St. Elizabeth Hospital in Chicago. His parents, Effie Irene (née Crane) and John Edward “Chuck” O’Connor, were vaudeville entertainers. His father’s family was from County Cork, Ireland.[3] When O’Connor was only a few years old, he and his sister Arlene were in a car crash outside a theater in Hartford, Connecticut; O’Connor survived, but his sister was killed. Several weeks later, his father died of a heart attack while dancing on stage in Brockton, Massachusetts.[4] O’Connor at the time was being held in the arms of the theater manager, Mr. Maurice Sims.

O’Connor began performing in movies in 1937. He appeared opposite Bing Crosby in Sing You Sinners at age 12. Paramount Pictures used him in both A and B films, including Tom Sawyer, Detective and Beau Geste. In 1940, when he had outgrown child roles, he returned to vaudeville. In 1942, O’Connor joined Universal Pictures where he played roles in four of the Gloria Jean musicals, and achieved stardom with Mister Big (1943).

In 1944, O’Connor was drafted into the Army. Before he reported for induction, Universal Pictures rushed him through production of three feature films simultaneously and released them when he was overseas. After his discharge, Universal (now reorganized as Universal-International) cast him in lightweight musicals and comedies.

In 1949, he played the lead role in Francis, the story of a soldier befriended by a talking mule. The film was a huge success. As a consequence, his musical career was constantly interrupted by production of one Francis film per year until 1955. It was because of the Francis series that O’Connor missed playing Bing Crosby’s partner in White Christmas. O’Connor was unavailable because he contracted an illness transmitted by the mule, and was replaced in the film by Danny Kaye.

O’Connor’s role as Cosmo the piano player in Singin’ in the Rain earned him a Golden Globe Award for Best Performance by an Actor in a Comedy or Musical. The film featured his memorable rendition of Make ‘Em Laugh. O’Connor was a regular host of NBC‘s Colgate Comedy Hour. He hosted a color television special on NBC in 1957, one of the earliest color programs to be preserved on a color kinescope; an excerpt of the telecast was included in NBC’s 50th anniversary special in 1976. In 1954, he starred in his own television series, The Donald O’Connor Show on NBC. In 1968, O’Connor hosted a syndicated talk show also called The Donald O’Connor Show.

O’Connor overcame alcoholism after being hospitalized in 1978. His career had a boost when he hosted the Academy Awards, which earned him two Primetime Emmy nominations. He appeared as a gaslight-era entertainer in the 1981 film Ragtime, notable for similar encore performances by James Cagney and Pat O’Brien. It was his first feature film role in 16 years.

O’Connor appeared in the short-lived Bring Back Birdie on Broadway in 1981, and continued to make film and television appearances into the 1990s, including the Robin Williams film Toys as the president of a toy-making company. He had guest roles in 1996 in a pair of popular TV comedy series, The Nanny and Frasier.

In 1998, he received a Golden Palm Star on the Palm Springs, CaliforniaWalk of Stars. O’Connor’s last feature film was the Jack LemmonWalter Matthau comedy Out to Sea, in which he played a dance host on a cruise ship. O’Connor was still making public appearances well into 2003.

The most distinctive characteristic of O’Connor’s dancing style was its athleticism, for which he had few rivals. Yet it was his boyish charm that audiences found most engaging, and which remained an appealing aspect of his personality throughout his career. In his early Universal films, O’Connor closely mimicked the smart alec, fast talking personality of Mickey Rooney of rival MGM Studio. For Singin’ in the Rain, however, MGM cultivated a much more sympathetic sidekick persona, and that remained O’Connor’s signature image.

O’Connor nearly died from pneumonia in January 1998. He died from complications of heart failure on September 27, 2003 at age 78 at the Motion Picture & Television Country House and Hospital, in Woodland HillsCalifornia. His remains were cremated and buried at the Forest Lawn–Hollywood Hills Cemetery in Los Angeles. O’Connor was survived by his wife, Gloria, and four children. Gloria O’Connor died from natural causes on June 4, 2013, aged 84.

 

Incredible balloon dance!

 

Make ‘Em Laugh from Singin’ in the Rain

 

Walking My Baby Back Home

 

 

Fun Facts About Mr. Donald O’ Connor 

 

Judy Garland, whom he knew as a child, was one of his best friends.

Was suppose to co-star with Bing Crosby in the perennial film classic White Christmas(1954) in 1954 but was sidelined with pneumonia and replaced by Danny Kaye.

Allegedly didn’t enjoy working with Gene Kelly while filming Singin’ in the Rain (1952), because he found him to be a bit of a tyrant on set.

Made his film debut at age 12 in Melody for Two (1937) with his two brothers, Jack O’Connor and Billy O’Connor, doing a specialty routine. Billy died a year or two later after contracting scarlet fever.

Despite failing health in 2003, he made appearances at the Roger Ebert Overlooked Film Festival and the opening of the Judy Garland Museum.

While he’s hesitant to select a favorite film, he’s quick to single out his favorite performance: “Call Me Madam (1953) – my favorite number is in there with Vera-Ellen. It’s the number I do out in the garden with her to “It’s a Lovely Day Today”. It’s a beautiful lyrical number. I think she was the best dancer outside of Peggy Ryan I ever danced with”.

 

Tuesday Tunes!

Tuesday Tunes

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 Merry Christmas Eve Framers!

 

Judy Garland!

One of the brightest, most tragic movie stars of Hollywood’s Golden Era, Judy Garland was a much-loved character whose warmth and spirit, along with her rich and exuberant voice, kept theatre-goers entertained with an array of delightful musicals.

She was born Frances Ethel Gumm on 10 June 1922 in Minnesota, the youngest daughter of vaudevillians Frank and Ethel Gumm. Her mother, an ambitious woman gifted in playing various musical instruments, saw the potential in her daughter at the tender age of just 2 years old when Baby Frances repeatedly sang “Jingle Bells” until she was dragged from the stage kicking and screaming during one of their Christmas shows and immediately drafted her into a dance act, entitled “The Gumm Sisters”, along with her older sisters Mary Jane Gumm and Virginia Gumm. However, knowing that her youngest daughter would eventually become the biggest star, Ethel soon took Frances out of the act and together they traveled across America where she would perform in nightclubs, cabarets, hotels and theaters solo.

Her family life was not a happy one, largely because of her mother’s drive for her to succeed as a performer and also her father’s closeted homosexuality. The Gumm family would regularly be forced to leave town owing to her father’s illicit affairs with other men, and from time to time they would be reduced to living out of their automobile. However, in September 1935 the Gumms’, in particular Ethel’s, prayers were answered when Frances was signed by Louis B. Mayer, mogul of leading film studio MGM, after hearing her sing. It was then that her name was changed from Frances Gumm to Judy Garland, after a popular ’30s song “Judy” and film critic Robert Garland. Judy’s career did not officially kick off until she sang one of her most famous songs, “You Made Me Love You”, at Clark Gable‘s birthday party in February 1937, during which Louis B. Mayer finally paid attention to the talented songstress.

Prior to this her film debut in Pigskin Parade (1936), in which she played a teenage hillbilly, had left her career hanging in the balance. However, following her rendition of “You Made Me Love You”, MGM set to work preparing various musicals with which to keep Judy busy. All this had its toll on the young teenager, and she was given numerous pills by the studio doctors in order to combat her tiredness on set. Another problem was her weight fluctuation, but she was soon given amphetamines in order to give her the desired streamlined figure. This soon produced the downward spiral that resulted in her lifelong drug addiction.

In 1939, Judy shot immediately to stardom with The Wizard of Oz (1939), in which she portrayed Dorothy, an orphaned girl living on a farm in the dry plains of Kansas who gets whisked off into the magical world of Oz on the other end of the rainbow. Her poignant performance and sweet delivery of her signature song, ‘Over The Rainbow’, earned Judy a special juvenile Oscar statuette on 29 February 1940 for Best Performance by a Juvenile Actor. Now growing up, Judy began to yearn for meatier adult roles instead of the virginal characters she had been playing since she was 14.

By this time, Judy had starred in her first adult role as a vaudevillian during WWI in For Me and My Gal (1942). In November 1943, Judy  began filming Meet Me in St. Louis (1944), which proved to be a big success. The director Vincente Minnelli highlighted Judy’s beauty for the first time on screen, having made the period musical in color, her first color film since The Wizard of Oz (1939). He showed off her large brandy-brown eyes and her full, thick lips and after filming ended in April 1944, a love affair resulted between director and actress and they were soon living together. Vincente began to mold Judy and her career, making her more beautiful and more popular with audiences worldwide. He directed her in The Clock (1945), and it was during the filming of this movie that the couple announced their engagement on set on 9 January 1945.

But married life was never the same for Vincente and Judy after they filmed The Pirate (1948) together in 1947. Judy’s mental health was fast deteriorating and she began hallucinating things and making false accusations toward people, especially her husband, making the filming a nightmare. She then teamed up with dancing legend Fred Astaire for the delightful musical Easter Parade(1948), which resulted in a successful comeback despite having Vincente fired from directing the musical. Afterwards, Judy’s health deteriorated and she began the first of several suicide attempts. In May 1949, she was checked into a rehabilitation center, which caused her much distress.

On returning, Judy made In the Good Old Summertime (1949), which was also Liza’s film debut, albeit via an uncredited cameo. She had already been suspended by MGM for her lack of cooperation on the set of The Barkleys of Broadway (1949), which also resulted in her getting replaced by Ginger Rogers. After being replaced by Betty Hutton on Annie Get Your Gun (1950), Judy was suspended yet again before making her final film for MGM, entitled Summer Stock (1950). At 28, Judy received her third suspension and was fired by MGM, and her second marriage was soon dissolved.

Judy signed a film contract with Warner Bros. to star in the musical remake of A Star Is Born (1937), which had starred Janet Gaynor, who had won the first-ever Academy Award for Best Actress in 1929. She won a Golden Globe for her brilliant and truly outstanding performance as Esther Blodgett, nightclub singer turned movie star, but  Judy lost out on the Best Actress Oscar to Grace Kelly for her portrayal of the wife of an alcoholic star in The Country Girl (1954).

At age 41, she made her final performance on film alongside Dirk Bogarde in I Could Go on Singing (1963). She continued working on stage, appearing several times with her daughter Liza. It was during a concert in Chelsea, London, that Judy stumbled into her bathroom late one night and died of an overdose of barbiturates, the drug that had dominated her much of her life, on the 22nd of June 1969 at the age of 47.She is still an icon to this day with her famous performances in The Wizard of Oz (1939), Meet Me in St. Louis (1944), Easter Parade (1948), and A Star Is Born (1954).

Tuesday Tunes!

Tuesday Tunes

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         Rita Hayworth

 

 

” I was certainly a well-trained dancer. I’m a good actress: I have depth. I have feeling. But they don’t care. All they want is the image.”

 

Margarita Carmen Cansino was born on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo was a dancer as was his father before him. He emigrated from Spain in 1913. Rita’s mother met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family’s footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one.

Rita was seen dancing by a 20th Century Fox executive and was impressed enough to offer her a contract. Rita’s “second” debut was in the film Cruz Diablo (1934) at age 16. She continued to play small bit parts in several films under the name of “Rita Cansino” until she played the second female lead in Only Angels Have Wings (1939) when she played Judy McPherson. By this time, she was at Columbia where she was getting top billing but it was the Warner Brothers film The Strawberry Blonde (1941) that seemed to set her apart from the rest of what she had previously done. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor. She was probably the second most popular actress after Betty Grable. In You’ll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding.

After the hit Gilda (1946), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by the new star at Columbia, Kim Novak. After a few, rather forgettable films in the 1960s, her career was essentially over.

Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Her dancing had made the film and it had made her. Perhaps Gene Ringgold said it best when he remarked, “Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally.” Perhaps he was right but Hayworth fans would vehemently disagree with him. Rita, herself, said, “Every man I have known has fallen in love with Gilda and wakened with me”. By 1980, Rita was hit with Alzheimer’s Disease. It ravaged her so, and she finally died at age 68 on May 14, 1987, in New York City.

 

Let’s Stay Young Forever

 

 

The Famous Scene from Salome

 

 

Fred Astaire and Rita Hayworth in “You’ll Never Get Rich”

 

Tuesday Tunes!

Tuesday Tunes

Happy Tuesday Framers! Today our dancing star is …..The King of Pop!

      Michael Jackson

 

 

“Music has been my outlet, my gift to all of the lovers in this world. Through it, my music, I know I will live forever.”

 

Michael Jackson was born Michael Joseph Jackson in Gary, Indiana on August 29, 1958, and entertained audiences nearly his entire life. His father Joe Jackson had been a guitarist, but was forced to give up his musical ambitions, following his marriage to Katherine (Scruse). Together, they prodded their growing family’s musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.

A musical prodigy, Michael’s singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy‘s attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists (“I Want You Back,” “ABC,” “Never Can Say Goodbye,” “Got to Be There,” etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.

Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, “Thriller” in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.

In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages — one to Elvis Presley‘s daughter Lisa Marie Presley — were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented. Despite it all, Jackson’s passion and artistry as a singer, dancer, writer and businessman are unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his seriously troubled adult life.

 

 

The First Moonwalk

 

 

 

Thriller!

 

 

 

He’s….well…Bad.

 

 

 

Fact about Mr. Michael Jackson

 

Shares with Carlos Santana the record for most Grammys won in one year, with eight.

First solo artist to generate four top ten hits on the Billboard charts on one album with “Off the Wall.”

First artist to generate seven top ten hits (USA) on one album with “Thriller.”

Until August 2011, he was the only artist in history to generate five #1 hits (USA) from one album with “Bad”. Katy Perry has since tied this record with her album “Teenage Dream”.

With Lionel Richie, co-wrote the song “We Are the World,” and was one of its performers.

His 1982 album “Thriller” is the biggest selling album of all time, with confirmed sales of over 51 million, and claimed sales of over 100 million copies worldwide.

His 1991 album “Dangerous” is one of the biggest selling album of all time, with over 20 million copies sold worldwide.

His 1987 album “BAD” is one of the biggest selling albums of all time, with over 20 million copies sold worldwide.

Jackson hired film director Martin Scorsese to direct the video for the “Bad” album’s title track.

His hit song “Bad” from 1987 was initially supposed to be a duet with fellow 80’s superstar Prince. Prince said in an interview that he did not wish to sing the line “Your butt is mine”.

Inducted into the Rock and Roll Hall of Fame in 2001 (as a solo artist).

Inducted into the Rock and Roll Hall of Fame in 1997 (as a member of the Jackson 5).

Had a skin disease called vitiligo.

Diagnosed with lupus in 1984.

Copied his moon walk after mime Marcel Marceau in “walk-against-the- wind” pantomime techniques.

At his peak, Jackson was reportedly worth around $1 Billion.

Holds 10 different Guinness World Records.

1st May 2001: His video for “Thriller” was voted at #1 by VH1 on their countdown of the Top 100 Greatest Videos Of All Time. At #2 was “Like A Prayer” by Madonna.

 

Tuesday Tunes!

Tuesday Tunes

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Today we are featuring….Fred Astaire!

“People think I was born in top hat and tails.”

The son of an Austrian immigrant, Fred Astaire entered show business at age 5. He was successful both in vaudeville and on broadway in partnership with his sister, Adele Astaire. After Adele retired to marry in 1932, Astaire headed to Hollywood. Signed to RKO, he was loaned to MGM to appear in Dancing Lady (1933) before starting work on RKO’s Flying Down to Rio (1933). In the latter film, he began his highly successful partnership with Ginger Rogers, with whom he danced in 10 RKO pictures. During these years, he was also active in recording and radio. On film, Astaire later appeared opposite a number of partners through various studios. After a temporary retirement in 1945-7, during which he opened Fred Astaire Dance Studios, Astaire returned to film to star in more musicals through 1957. He subsequently performed a number of straight dramatic roles in film and TV.

 

A Scene from Swing Time

 

 

The Famous Dance on the Ceiling….yes, you heard me correctly. Dancing on a ceiling.

 

 

A coat rack, weights, parallel bars and Fred Astaire…

 

Facts about Mr. Fred Astaire…

Wore his trademark top hat and tails in his very first movie appearance, Dancing Lady(1933).

He was voted the 19th Greatest Movie Star of all time by Entertainment Weekly.

Named the #5 greatest actor on The 50 Greatest Screen Legends by the American Film Institute.

He was voted the 23rd Greatest Movie Star of all time by Premiere Magazine.

One of the first Kennedy Center Honorees in 1978.

Ranked #73 in Empire (UK) magazine’s “The Top 100 Movie Stars of All Time” list.

Astaire disguised his very large hands by curling his middle two fingers while dancing.

His legs were insured for one million dollars.

While all music and songs were known to be dubbed (recorded before filming), his tap dancing was dubbed also. He “over-dubbed” his taps – recording them live as he danced to the previously recorded taps.

Inducted into the International Tap Dance Hall of Fame in 2002 (inaugural class).

In December 2013, he was honored as Turner Classic Movies Star of the Month.

Interred at Oakwood Memorial Park, Chatsworth, California, USA, the same cemetery where long-time dancing partner, Ginger Rogers, is located.